We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

The Great Failed Romances of the Twentieth Century

by Teddy Grey

supported by
drapatka
drapatka thumbnail
drapatka bangers. I'll get around to watching all the youtube videos eventually I promise! Favorite track: TV Mom (Barry & Florence).
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $11 USD  or more

     

1.
Everything will change when we have money We’ll bare our souls and taste that milk and honey Cult fandoms okay, but we’ve still got bills to pay Might as well just join a band and snort our cares away Everything will change when we have money This will solve it all, I swear it honey We’ll make lifelong friends And we’ll never fight again Love and peace and harmony Lie on the horizon Everything will change Everything will change Thank God it’s all resolved while in our twenties Everything will change It always does with fame And for the worse, but screw it, we’ll have money
2.
It’s 1919, and the story goes: After months of debts and frustration A poor boy chased after a rich girl, with the news of his publication Said “this is our ticket to higher class, for the fame that we’ve long been craving” This book is the key to our destiny, let’s begin the misbehaving It’s called this side of paradise, this side this side of paradise Let’s make our lives paradise as husband and as wife We’ll be the next great socialites, stars of the Jazz Age overnight She said “Sounds like paradise”, He hugged her far too tight The idol of youth and the flapper queen, New York’s top partygoers Spent two years of drinking traded for two decades of hangovers A nice quiet life would’ve never felt right but the spotlight was overbearing Along came affairs and declining sales, and the novelty seemed to be wearing Oh I thought it’d be paradise, this side this side of paradise What was once a paradise’s now beautiful and damned Zelda now thinks she’s no good and Scott departs for Hollywood Depression hits, new book’s obscured, the dream feels like a sham And from there on, her new home was Highland Hospital Until all that remained were embers When they died, seemed there was nothing to feel good about At least I think they’d like the way that they’ve been remembered They took their share of paradise And for it paid a costly price Following the famed green light until it fades away Love’s like the pursuit of fame, you hunt it down until you’re drained It may drive you to your grave, we’ll chase it anyway Now their love’s recalled as paradise Been etched into the sands of time Scott and Zelda won the fight, despite losing their lives ‘Cause time’s got a way of rewriting truth Something that the Fitzgeralds loved to do Myths overpower what’s real and true, and the dream is crystallized Until it’s paradise
3.
Headlines will spin in to set the scene The camera lens is rubbed with Vaseline The film gets grainy, you could swear that we glow Was it shot so very long ago? We’ll say that your housekeeper found you Keep dancing around what they all knew After nine films, we were fools to think we could hide Cuz we fell in love right before their eyes Step into the sun Don’t be afraid There’s nothing to be done with the mess we’ve made Can’t stay in the cold Sweet tortured soul Say we’re only friends, say it’s only a role Don’t leak the truth We can’t be seen When you kiss me, so kiss me on the screen Pretending off the set can take its toll But we’re not acting when the camera rolls An average joe meets woman of the year You brought me down to earth, so let me take you to the stratosphere Step into the sun Don’t be afraid There’s nothing to be done with the mess we’ve made Can’t stay in the cold Sweet tortured soul No need for rehearsal when you’re living the role They’ll see the truth In every scene So just kiss me, kiss me on the screen Competitor that I adore Don’t punish yourself anymore You’ve tossed and turned for thirty years With catholic guilt and buried fears Please let me in before you go I don’t give up, I don’t take no’s So tell me now before you rest What kept you up? What was it Spence? On the screen, on the screen, kiss me on the screen Now tell me On the screen, on the screen, kiss me on the screen Step into the sun Don’t be afraid Millions have adored this mess we’ve made Come in from the cold Sweet tortured soul Living wasn’t easy and you’re dying to go So I’ll let you sleep And I’ll let you dream Of when you kissed me, kissed me on the screen
4.
It’s the story Of a lovely lady Punching well below her weight Here’s the story Young Greg Brady Wants to ask you on a date Florence, what are we waiting we for? I swear I’m not a little kid no more See my new perm? It’s out of sight! So meet me on the AstroTurf lawn We’ll share a soda and keep on Keep on keep on dancing all through the night And I know it might seem strange at first But Jan and Peter have done worse TV Mom Yes, TV son? You’re the one Oh my God There’s a spark you can’t deny it, I’m sure TV Dad won’t mind it TV Mom You’re the one Ha, ha, ha Think I love you, TV mom And we’ll just keep it As a secret Sherwood never needs to know Don’t see no wrinkles I’ll call you Twinkles If you call me Johnny Bravo I’ve had this crush since season two The fans say “Marcia Marcia Marcia” yeah, but all I want is you TV Mom Yes, TV son? You’re the one No I’m not So much groovier and hipper than my bitchy TV sisters TV Mom You’re the one Ha, ha, ha Think I love you, TV mom Think I love you, TV mom Yes I think I love you, TV mom
5.
Let’s play a new game dear, it’s called love and hate One sobers you up and one intoxicates We’ve soldiered through both, often in the same day Shall I start it off or should you? Take me to heaven, fall under my spell Soon you’ll wake up again, then back to Hell I’m damned to be yours and you’re doomed to be mine So let’s just get remarried and divorced one more time Well this was once love but it curdled to hate Then back into love, how can that be explained? And if down the road it turns back into hate We’ll know enough to see it through Oh what a way to have spent all these years Romance and ecstasy, heartbreak and tears And I could’ve gone down as one of the greats Instead I’m consumed by our love and our hate Well what’s it tonight dear, is it love or hate? Shall we dine on fine china, or break every plate? I’ll come for the love, and I’ll stay for the hate As long as you feel it too I hate your temper but I love our fights I love when you’re wrong and I hate when you’re right I hate every slap and each smack to the jaw But I love how we’re stared at with judgment and awe I hate all your lectures, I hate our goodbyes But I love your wittiness, love your sad eyes I hate your new girlfriend, well now your new wife I hate to say you’re the great love of my life I love the curious way that you think But I hate the way it turns off when you drink I hate your shamelessness, I hate your fits But I love your talent and I love your tits I love the time that we spend on a set But I hate your mansion, it’s too full of pets I hate that I must now get home to my wife As I can’t deny you’re the great love of my life Put us in the madhouse and lock all the gates As long as I’m with you, I’m surely insane Til we see the difference between love and hate And I don’t see it happening soon Though I may deny it’s true I know that I’d die without you
6.
It’s been rumored that Greta and Mercedes Were entangled in love throughout the thirties And yes, there’s no clear proof But I’m betting it’s the truth These things tend to get written out of history Just look and see Oh yeah Since as far as time goes back There has never been a lack Of ones to choose from, despite what the books might say On records it will show That they must have died alone Or have been cared for by a friend until their grave, how fucking quaint Isaac Newton had affairs With Nicholas de Dullier He wished to marry him but Nicky fled the scene It drove Isaac to his death But he’ll be remembered as The lonely virgin who discovered gravity Doesn’t sound like one to me Unwritten gay romantic history Might be a shock to you, it was to me They’ve tried to wash it out, gotta learn about it now Here’s some unwritten gay romantic history Sister Rosetta Tharpe Well Marie, she stole her heart And so they belted out the music of the soul That guitar slinging girl Singing gospel to the world And not long after, she invented rock n roll Thought you might like to know Unwritten gay romantic history Might be a shock to you, it was to me They’ve buried it with lies, we’re left to hypothesize and find Unwritten gay romantic history Margaret Mead, Zeus, and Athena Socrates and Queen Christina William Shakespeare, Gladys Bentley Julius Caesar and Tchaikovsky Unwritten gay romantic history Can’t stop what you’re pretending not to see Cary Grant and Walter Whitman Florence Nightingale and Lincoln And King Richard and King James and Anne Lister, don’t ever forget Unwritten gay romantic history Could fill the shelves of untold libraries It’s time they had their turn, cuz there’s so much more to learn about Unwritten gay romantic history Plato, Billie Holiday and Herbert Hoover, Katherine Bates and Roosevelt and Langston Hughes and Dickinson, J Edgar Hoover Joan of Arc and Oscar Wilde Donatello, Gomer Pyle Sappho and Igor Stravinsky Florence Nightingale, DaVinci Unwritten gay romantic, unwritten gay romantic We’ll shout it from our rooftops, sea to sea And share our history So if some say that Greta and Mercedes were in love I say we believe them, sometimes rumors are enough
7.
Notice me I’m staying after class Or do you want to live your life With one hand taped behind your back Toy with me I hear you dig control If you need a place to put your cigarettes out I can play that role Right next to Rock and Jack and Bill Right next to Walt and Paul and Will Well you can write your name and number down, I’ll call you up when you need a thrill Private parties They’ll let me in If I came dressed in your outfit Would that get your attention? Right next to Rock and Jack and Bill Right next to Walt and Paul and Will Well you can write your name and number down, I’ll call you up when you need a thrill Some say you’re baiting me but I’m biting at the hook I hope to see your name when I take a look In my little black book Hot rodding And they say I drive too fast I push my foot down on the pedal It never hits me I could crash But Marlon I am shackled, I am fawning Whatever you have always wanted Keep tearing me apart, I love it Right next to Rock and Jack and Bill Right next to Walt and Paul and Will Well you can write your name and number down, I’ll call you up when you need a thrill Some say you’re baiting me but I’m biting at the hook I’m a goner, dead from the first look You’re in my little black book
8.
I’ll write an album for you someday my darling I’ll write an album for you someday my dear But we’ll settle for the singles while we have to Cause that’s all the label wants now, and I ain’t got the clout round here But I’ll write an album for you someday my darling No matter how long it takes, I swear I’ll make it true 5 years, 10 years down the line, I’ll still be yours, you’ll be still be mine And then it will be time to write my suite to you Anna, you’re my girl And I will tell the world I’ll commit my love to vinyl when I can And you’re only 17 Years ahead of me Now go tell your little brother to give me a chance So he hits the studio 15 years later To make the record solely for his wife Cause if Marvin ever wants a chance to be free, he’s gotta find a way to pay the alimony Then he’ll move on to his new life And my new high school sweetheart See the judge said i could give you all the proceeds So I figured I’d just kinda half-ass it, you know, out of spite But that felt wrong and soon enough, my darling, inspiration struck Instead I really tried to do it right So have no fear my dear Albums here my dear And I’m pouring out my soul here just for you Cause Anna, you were my girl And I will tell all the world And share every little detail of what we’ve been through Always said I’d write an album just for you Just didn’t know it’d be like this. I hope you like it, it’s 80 minutes long.
9.
Is there a reason We obsess over stars’ dirty laundry? Waste mental energy On folks we’ll never meet Spread the stories about Burt & Loni Some blame the media But you know that it’s us who demand it Just cause they’re on TV WKRP And cause they starred in Smokey and the Bandit We prop them up, push them to the top Then we long to see them fall To feed our lust for gossip and blood This perverted spectacle What makes it more important than The love of ordinary men? Why does it matter so to you? Why does it matter to me too? It’s none of our business But when someone visits There’s nothing else to do We’ll shoot the shit and Gossip and bitch then “Hey did you hear the news About Burt and Loni? Check out what she said!” When they break up, we take sides And defend them like our new religion Whether it’s praise or scorn Conclusions will be drawn And spouted out like baby’s first opinion We snipe, we point, we laugh Cracking jokes about others misfortune Don’t have to realize That it’s uncivilized When our behavior is always rewarded And whether your assessments are fair or completely full of lies You’ll get applause, they’re the only gods you’re allowed to criticize And so we live our boring lives With boring husbands, boring wives As all the stars shine above you But at least they’re unhappy too They keep it exciting, fucking and fighting Surviving off our stares Sure it’s degrading, but entertaining And the last laugh is theirs Cause we’d sell our souls to be like one of them The popular kids Cause no one likes, yeah no one likes the popular kids But we try, we try to be like the popular kids And nothing gets you there like tearing down popular kids Let us in
10.
Wise men say when someone breaks your heart Just take the pain and turn it into art Contended men so rarely feel the need To show the world how beautifully they bleed Some can spin it into gold Make masterpieces, so I’m told Well, if that’s true Abandoned by the one that you adore, Gifted the greatest canvas you could ask for When your heart breaks It can turn a fool to a poet, it can turn ridicule to acclaim When your heart breaks You might find that you have something to say But that don’t mean it’s something you should chase It’s ruined twice as many as it’s made Left them shaken, dazed, and hopelessly bereft Of salvaging the brains that they’ve got left Some can spin it into gold But most will never be consoled Their little horse has run away The world will be just fine without your art But you may not survive a broken heart When your heart breaks It can turn a poet back to a fool and it can turn a sculpture to clay When your heart breaks You might find you have nothing more to say
11.
You dreamed I’d jump right off the page My god, my writer, and my sage If this is life with you, then I wholeheartedly refuse to be a muse To be a muse, to be a muse I don’t ponder where the ducklings go I don’t keep my kings in the back row You’re no guru, and I’m not beholden to you I’m not your muse, not just a muse To be a muse Trapped inside the shadow of my captor Time for me to start another chapter Sure as birds will keep on flying I’ll walk out and keep on trying I feel so used, why would anybody choose To be a muse, to be muse, to be a muse You prayed I’d never get too old Wise up to lies that I’d been sold No more abuse, no more lighting your short fuse To be a muse, to be a muse, to be a muse There’s so much more I want to give, my friend You observe the world, I choose to live in it I’ve got no use for some tyrannical recluse To be your muse, to be a muse To be a muse Easier to pine when you’re uncertain Now I regret my peek behind the curtain But sure as birds will keep on flying I’ll walk out and keep on trying Now that we’re through, I wish to never be reduced To just a muse, to be a muse To be a muse I’ll try to put these years behind me Fight back against how history defines me Sure as birds will keep on flying Unlike you, I’ll keep on writing I think you’re through, but I’ve got so much more to do To be a muse, to be a muse, to be a muse Some dream to catch a glimpse of you I’ve seen enough, now you’re see through
12.
Our voices are not made for duets But you can sing alone and have success And you can write songs bout our split that everyone detests But our voices just aren’t made for duets My tone’s irreconcilably different So I’ll star in films And I’ll go run for Congress And I’ll make music with Gregg Allman that we’ll both regret Cause our voices just aren’t made for duets They loved us for our chemistry, the way we looked and dressed But our voices can’t sustain much more Vocals can’t remain this poor Our voices are not made for duets
13.
Everyone is voting for Jack His smile overshadows the flack And he can charm his way up to the top A lark for change, a passion for girls He claims he’s here to change the world But looks and soundbites are all that he’s got The nature of charisma strikes again Was bound to let you down, but now he’s dead A bullet makes a martyr from a man And we’ll fall for it time and time again Could weave a fascination like my Marilyn At once an ingenue and tragic heroine To give it all away for fame, to be a friendless household name A tale so quintessentially American Recognized by millions, known by few So as she slept, we dreamed up our own truth It doesn’t have to be real to be true It persisted in imagination and that’s all it had to do Something’s gotta heal me, help me, make me whole Soon as I rule the world or play the leading role I want to rise, I want to fall, my god the glamour of it all yeah You can have my pride, my body, and my soul The goddess of the screen once met the president What happened, well, I’m sure you’ll draw an inference Cause though we know their paths did cross, the details are forever lost But we know better than to ever question it Why not create these infidelities? Cause they’re not people, they’re celebrities And we’ll romanticize toxicity You must admit it makes for more compelling history Something’s gotta heal me, help me, make me whole I’ll never thrive as flesh, just make me a symbol I’ll take that ride, I’ll heed that call, to breathe the glamour of it all yeah You’ll have the power but you’ll never have control Happy birthday to you Happy birthday to you Happy birthday Mr President Happy birthday to you Though they were dead, their myths had only just been born Let’s drive them to their grave, then praise them when they’re gone A mythic rise, a mammoth fall, my god the glamour of it all yeah So sign me up, I’ll never notice I’ve been conned Don’t wanna live as just another person When I could simply die and be a legend Skip until the end and let me be a myth, a symbol, and a fairytale Maybe I can sit with Jack and Marilyn
14.
And action! Don’t you laugh at me, the jokes feel tired And uninspired Our best memories, are all in reruns Of the past seasons 9 years of TV, just gotta rally Through the finale You long to be free, and I’m through pretending No sitcom ending. One more scene dear The kisses may feel forced Soon as we wrap I’m filing for divorce And cut! Call the shoot off cause it’s all through I can’t stand to be around you for even a half hour, minus ads Much like everyone still watching, I find myself often wondering about How it ever got this bad There’s a world outside our program and it’s finally time to go No more feeding insecurities by basking in the glow Of the fans who only love you from the you that’s on our show They would leave you in a second if they knew the you I know Take your final bow, cause when the show’s done, so are you
15.
Ernest, Ethel said “I do” And five weeks later, they were through I think we all should take a cue From their 32 day love Never try to drag it out After you start to have your doubts And fear that you can live without Your 32 day love And that’s just how it oughta be Oh what a precious gift To have a love so passionate, So fiery, so swift I’m sure it would’ve been more fun If it had just been 31 Why let it last more than a month? Oh 32 day love
16.
I smell greatness in the air Ethel, how could you compare To the massive golden arches over my sweet restaurant? You can have the car, the house, the baby, you know what I want I need out of my contracts All they do is hold me back Now our loving cup of soda has been spilled And I’m afraid that we don’t offer free refills So I’m leaving you for milkshakes, and I’m leaving you for fries I am leaving you for clowns and purple blobs with big dead eyes I am leaving you for progress I am leaving you for fun Now I’m married to McDonalds baby, ba da ba ba ba
17.
Your fishing rod’s still on the bookshelf, where you always kept it I don’t know if you’d appreciate that or think it’s odd I left it Our home’s a living monument to love that’s long been dead The walls are lined with memories that play inside my head and oh I watched the sunset this morning Out on the porch where we used to lie I watched the sunset this morning And I cried, and I cried Now all the songs I write about you start in minor keys And rooms that we once crowded now feel hauntingly empty I sing one part of duets on a stage with room for two Then wake up in our bed and tell myself I’m over you but oh I watched the sunset this morning Out on the porch where we used to lie I watched the sunset this morning And I cried, and I cried Talk to me, James talk to me I hear you in the walls and in the tapestry I feel you in the floorboards and the evening breeze I hear you everywhere, please can we speak? I watch the sunset every morning The darkness never waits for night As long as I am home My heart never dares to roam too far from you I couldn’t leave it if I tried
18.
Every riff is gold and every line is poetry I’m an artist, and I mean it too I got teenagers eating out of my palm But they forget that I exist when Nirvana comes to town It’s true There’s nothing I can do But that don’t mean I have to take this kind of shit from you I see the way you look at him, you wish he was your man How could you think of leaving me, do you know who I am? Well I’m the second best artist in the world I could never throw my life away for just another girl I’m the second best artist in the world I’m a genius baby, who are you? God it’s great to see you wallow in your jealousy Babe it’s like you knew You can dish it out until your face is blue But you curl up on the floor when I do the same to you It’s true, I want him more than you You love to play the victim, your tantrums are not cute You can’t measure up to me, and you can’t rock as hard I’m enamored with the mystery, and I know who you are I’m the second best artist in the world I could never stand for disrespect from little junkie girls You’re the second best artist on the earth Well if that’s the case then why don’t I just go and get the first I’d like to see you I’d like to see you Try, try, try I know you crave attention, now you’re in the public eye You’ll be tethered to the drama til the day you fuckin’ die I’m the second best artist in the world I don’t care about the sad affairs of little groupie girls I’m the second best artist on the earth Go and drive Kurt to his grave so I can get bumped up to first You’re the second best You’re the second best And I’m the first to leave I’m the second best Better than the rest It’s not enough for me
19.
How long must I pretend That frog and toad are friends How long must I pretend That frog and toad are friends Until I say what’s on my mind and wipe away the slate You can find me in the mornings walking to the riverbank Then I’ll hide behind the easel and the pencils and the paint Pouring every drop of lifeblood I have left onto the page As I wrestle with my feelings and the inklings and the doubts It’s revealed to me what these stories have always been about Well they ask me where it comes from and I claim there’s not a link Just a watercolor soul in a world of pen and ink How long must I pretend That frog and toad are friends But just think of the resistance if the people knew the truth I would be accused of subtly corrupting all the youth It could ruin my career, my reputation, and my life Oh what would I tell my children, and what would I tell my wife? Would I have to spend remaining years trying to defend The relationship between a duo of amphibians? Would they rip my work from schools and ban me from the libraries? I thought I wrote for kids, I guess it’s always been for me How long must I pretend That frog and toad are friends Until the story ends Until the story ends As long as frog and toad are friends As long as frog and toad are friends As long as frog and toad are friends As long as frog and toad are friends
20.
No mountain I can’t climb With my baby by my side There’s no cross to bear, no storm that we can’t weather Until the day I die It’s me and you, it’s you and I Oh who needs today when you’ve found your forever? And if I’m running out- Tina! You know that’s not gonna work for me. You gotta sing it like I told you to sing it, with grit, like your life depended on it. It’s a love song, girl - You gotta mean it! Ah, alright boys, take it from the top. Oh, like I mean it? This time I’ll mean it. 1,2,3,4! If I could imagine a life for us after today I’d stifle the anger, I’d harness the pain I’d say “yes sir” and keep pretending But when I imagine you gasping for breath on the floor As I’m gearing up for another world tour Well I can see my happy ending Well I’m the man who made you girl, you know that I could break you too But someday you’ll be dead So better days are ahead I’m holding on To when you’re gone It’s getting me through the forever Cause someday you’ll be dead Well did you hear what I said? I’ll laugh out loud And stand all proud Of making it through the forever Now all I can hope for is seeing you rotting away With all of the papers unable to say A damn good thing about you baby And don’t think I’m worried about the day that I die too Cuz I won’t be staying the same place as you But til then, only I can save me Well I may not have a halo but I know that I don’t got no horns Oh someday you’ll be dead Can you get that through your head? You think you’ve won Just try to run Forever remains undefeated Yeah someday you’ll be dead Wish it was before we were wed So save your breath Until your death I’m telling you you’re gonna need it Do you really think you can run off forever? Make it on your own without us together? No more beating when you’re dead No more cheating when you’re dead No songs, no dances, no more second chances, you’ll be dead And though we all have to die When I go, I’ll be immortalized And I’ll live on for forever baby, you’re just gonna die Now just watch me say goodbye
21.
I thought I’d arrived once our love had begun A duo of titans united as one But now the world treats me like some novelty Don’t you do the same with our love But if we are parted, I fear once you’ve strayed Your star will keep shining, but mine will fade If this is my high point, then it’s your low Oh my sweet Madonna, don’t go
22.
Well it was in my 9th grade English class That we learned of the playwrights of the past Arthur Miller, and specifically, the time he spent with Marilyn Monroe After months of letters and hushed affairs To the tabloids, press and lots of stares They were married, Norma Jean and her new beau But happy ever after was not to be Their second act skewed more towards tragedy C’mon, it’s Miller, you know how these stories go Cue sleeping with other celebrities Substance abuse, failed pregnancies Culminating in divorce and a drug overdose And Arthur used their time as inspiration for his next Broadway play The teacher asked “From what you’ve learned, what’s your main takeaway?” So I say It gives me hope I guess there’s hope for us ugly guys If Miss Monroe went home to him every night, instead of some salivating jacked up dope I guess there’s hope I guess there’s hope That smart dudes can land a knockout after all Excluding what went down after the fall, it gave me hope And my classmates started saying “Teddy Just cause you’re ugly doesn’t mean you’re smart Just because you’ve struck out with the ladies That doesn’t mean that you’ll just make good art” Teacher said “Arthur Miller was a genius He wrote Death of a Salesman, and other plays that I cannot name Just because you’re also an eyesore Doesn’t mean that you’re remotely the same” And I said “Well friends, you may be absolutely correct But I got a better shot of being like him than I do looking like Gregory Peck” So let me hope Just let us hope Give some hope to us ugly guys If she really loved that bald four-eyes With commie ties, then let me emphasize There’s hope I guess there’s hope For those of us who stay in and write And never have a date on Friday nights I guess there’s hope Who’d’ve thought that it could pay to write? I guess there’s hope!
23.
Well I crawled right out of the scorched earth With a needle hanging out of my vein Donned a sneer and a leather jacket Grew my hair out and chose a new name God, so lost until I met you Sidney, hold my hair, I think I’m gonna puke I will Well that’s done, now I’m bored Let’s get ourselves a flat and go break some shite But Sid, I thought you had a show tonight I do It’s never stopped me before Take me in your arms and hold me close Kick me to the gutter, buy another dose There’s nothing that I love but you come close Nothing that I love but you come close Take me to the places where nobody else goes Make a cuppa coffee, pour it right on my clothes There’s nothing that I love but you come close Nothing that I love but you come close Well the press said we’re a lost cause But they’re the ones who invited us here Let’s make out on the toilet, fuck on the floor I think we forgot to close the bathroom door It’s cool, I kinda want them to hear Take me in your arms and hold me close Tip me on my side if you hear me choke There’s nothing that I love but you come close Nothing that I love but you come close Oh and take me to the places where nobody else goes Smack me in the face, rip my pantyhose There’s nothing that I love but you come close Nothing that I love but you come close We’re harbingers of the great cultural decay What does that mean? Oh, it’s something I once heard John say No, don’t speak his name All that matters now is you and me We don’t need drugs Maybe just a few I’m your best friend, I can’t live without you Bass solo! Ah, right Oh take me in your arms and hold me close Ruin my life yeah cancel my shows There’s nothing that I love but you come close Nothing that I love but you come close Oh and take me to the places where nobody else goes Stay with me till we’re dead and decomposed There’s nothing that I love but you come close Nothing that I love you come close You come close Oh, you come close Nothing that I love but you come close You come close Oh, you come close Nothing that I love but you come close
24.
Decades apart Scandal driven from the very start Drunk, audacious swine Passing out after too much wine Photographed undraped Your climaxes committed right to tape Public enemies Condemned, reviled far across the sea Can you handle that my darling, oh my dear? Cuz if you can, I know a way to freak the squares Look how they stare, god they haven’t got a prayer When you’re drifting, when you’re bored I’ll be your provocateur We’ll be heroes to the seedy Wretched scoundrels to the pure It may kill your reputation But I’ll love you, tue l’amour I’ll be your Provocateur Bad puns and lollipops Concept albums donning Nazi rock Endless affairs A reggae rewrite of La Marseillaise Now I’ve done it, oh the press will have my hide But it’s more fun to have someone stick by your side Find us naked on the floor Beauty and provocateur We’ve been slammed across the nation It sure beats being ignored Now I’ve killed your reputation Don’t you love it? Tue l’amour I’ll be your Provocateur Now they’re breaking down our door “Death to all provocateurs!” Seems we finally pushed it too far It’s the end of me for sure Now my head is on a platter And there’s a chopping block for yours But I’ll be your Provocateur
25.
With every letter you send Love with every letter you send
26.
Ava no Please don’t go Not while I’m liable To feel so low I’ve never been one to take things lightly You would know So please just stay my dear You’ve got to stay, my dear Now I’m just a drunk Whose race has been run And you’re all that’s stopping me from becoming a world class bum Career is through Self-respect has fled too All I have is you, my dear Please don’t leave me too, my dear When the bobby soxers dissipate, oh who will I have left? What’s stopping me from ending it? What’s keeping me from death? I’ve uprooted my whole life for you, don’t let it be in vain And I’ll love you til the day I die, don’t make it come today I could take every pill in the cabinet Turn the gas on and fall asleep Slash open my wrists in the bathtub Would you even pretend to weep? I’m a wash up who wasted his one shot Now I can’t even run to the gang I’ll put a gun to my head Shoot myself dead This crooner’s gone out with a bang Made a career of being miserable This is just a new tank of fuel But if you leave me, all of my suicide songs come true
27.
Is it giving you a thrill just to see me break? Do you want to find out just how much more I can take? I thought the worst was behind us and we’d be alright Until I found another nightgown in the laundry last night And I could curse your name and fall to the floor Or I could take it as a challenge to settle the score That’s what I’ll do And give it right back to you And I know just the man to call to send you through the roof Until the day I’m sure that I can call you mine I got the king waiting for me on the other line Because if my sensitivities don’t give you pause Then you can put money on it that I’ll prey on yours And I’m not ready yet to run or set you free But I can teach you a lesson not to fuck with me That’s what I’ll do And give it right back to you Want you to feel each ounce of pain you’ve put me through I wanna shatter your ego and make you rage Oh just to see if I still can So would your flame ignite if I spent the night Held in the arms of another man? Imagine how he moved, his magnitude Be driven mad by the song and dance A sweet love makin’ machine groomed in brilliantine And wearing taut black leather pants And I know that we could be so happy baby If you wanted to be You could treat me like a lady You could let me have your baby A love story for the ages, you and me And it’s not a Blue Hawaii, it’s a Desiree Why do I just think of you each time I try to stray? Never mind the fact that the sex was lacking Revenge was a hit and run That mama’s boy only makes love to sandwiches But hey, the damage still got done When you hear the truth, I hope it ruins you Cause it’s the only way you’ll learn So throw a chair, crack a plate, feel your spirit break Now it’ll finally be your turn Who am I kidding with this spiteful love? Means nothing when you’re the one I’m thinking of
28.
Ladies and gentlemen, we interrupt our program to bring you a special bulletin from the Celebrity Radio News. At 28 minutes before 8 central time, actress Rita Hayworth divorced her husband of four years, filmmaker Orson Welles. The starlet claims that Welles intense passion for his films leaves no room for her in his life. We now return you to the music of Teddy Grey on WNOE, as sponsored by Findus Frozen Peas. WNOE at night You can write about Falstaff and the midnight chimes You can write about the Ambersons great decline And play God But you can’t write our love You can act in Shakespearean tragedies You can act your way through adverts for frozen peas To raise funds But you can’t act your way through our love Great films take caution and care, but they’re a cinch compared to real life Where the set pieces can’t be moved on a whim, and the lines are improvised I’m yet another project of yours that failed when you refused to compromise You can fake a love for wine from Paul Masson You can fake sobriety when the camera’s on Thank God But you can’t fake our love Choose an ending, dear Husband Rosebud
29.
Breathe in, don’t just break down Hold tight, let the air out Your true love has walked out the door Just another scandal It’s nothing he can’t handle But me, I may collapse to the floor Spied my luminary Said “That’s the man I’ll marry” There, backstage, you heeded my call But it was founded on lies Tears our spouses both cried And now it’s time to pay for it all And there goes another marriage I sense we’re both to blame But I never once lied in my heart, could you tell me the same? Was I too much to manage? Was it all for your career? At times I’ve wished to die or disappear But I’m not sorry I’m here Technicolor gaslights Each role mirroring life I fear Blanche is living through me When the curtain falls To thunderous applause It’s always comes after tragedy And now the second act’s unfolding Cue heartbreak and neglect The rivalries, the pregnancies, it ends how you’d expect But it can’t be a failure if it’s lasted 30 years Surrender to the script or persevere I’m not sorry I’m here And everything’s easy when you don’t care But you had to make me care about you We gave it all to feed the grandeur of our dreams Guess that’s the price of youth Our love may have mutated But our time wasn’t wasted It matters not how our story ends The only failed romances Are the squandered chances Ones that never get to even begin And ours will last forever, on the silver screen Scandalous and gloriously real in every scene Does it make it all worth if they’ll tell our tale for years? All signs point to the ending being near But I’m not sorry I’m here I’m not sorry I’m here
30.
Good Company 03:07
It pains me to leave your side or to say farewell So I cancelled our plans, got the weekend all to ourselves Sure I got ambition, but I could just give up that For sleeping in on the weekends with you as we both get fat And if you fear you‘ll sell your soul, you probably will my friend But if your fear is getting old, well don’t think too far ahead I can’t enjoy good company I like when it’s just you and me They say we’re wasting our lives but it never really mattered to me Do you remember the conversation we had last night When you pretended everything I said was right And I did the same, but you didn’t mind my deceit Let’s never challenge each other on any of our beliefs And if you feel you’ve sold your soul, don’t worry about that yet There’s an appeal to growing old, well minus the fear of death I can’t enjoy good company I like when it’s just you and me I hear the world is a mess but it never really mattered to me And if you feel we’ve sold our souls, we probably have my friend And I can feel us getting old, outgrowing our fear of death I can’t enjoy good company I like when it’s just you and me So why would I change the world dear? You’re the only thing that matters to me

about

With the dawn of the twentieth century came celebrity-driven culture, when suddenly the stars of the stage and screen became as famous and beloved as the characters they were portraying. Their larger-than-life personalities and antics made them known to the world, but when two of these stars would link up for a romantic pairing, that’s inevitably when chaos would ensue. And we loved every minute of it.

That’s the focus of Teddy Grey’s upcoming double album “The Great Failed Romances of the Twentieth Century,” and it’s his most ambitious and accomplished work yet. Produced by Grey and his long-time collaborator Michael Lepore, the two teamed up with producer Charles Newman (The Magnetic Fields, The Bones of J.R Jones) to finish of the album remotely with Newman in LA and Grey and Lepore in NYC adding final touches and mixing through the first half of 2021.

Featuring 30 songs recorded in various genres, and featuring numerous guest vocalists and instrumentalists, the album takes a satirical yet heartfelt look at some of the most widely-discussed couples of years past. From the iconic (Katharine Hepburn & Spencer Tracy) to the moronic (Vanilla Ice & Madonna), from the rumored (James Dean & Marlon Brando) to the all-too-real (Elizabeth Taylor & Richard Burton), the album treats you to the wildest and most entertaining history lesson of your life.

Some songs are an overview of the relationship as a whole, some focus on a specific moment between the duo, some are duets, some are sung from one half of the couple directed at the other. There are cheerful love songs, crushing break-up songs, cruelly funny songs, it runs the gamut. But more than being just the indie rock equivalent of TMZ, THE GREAT FAILED ROMANCES OF THE TWENTIETH CENTURY provides, through its stories, insight into why so many celebrity unions crumble, and why we can’t get enough of hearing about them. It asks, if even those with everything can’t secure their happiness, what hope is there for the rest of us? Or were these unions so spectacularly messy because so many of them took place in the public eye, instead of behind closed doors?

Either way, you’ll be treated to 85 minutes of maddeningly catchy melodies and endlessly fascinating stories. Shimmering guitar pop, piano ballads, arena rock, we’ve got it all - even a 32 second hoedown detailing the 32 day marriage of Ernest Borgnine and Ethel Merman, if you're into that sort of thing.

credits

released October 22, 2021

All songs written by Teddy Grey

Teddy Grey - Vocals (1-19, 21-30), Guitar (1-7, 9-20, 22-26, 29, 30), Keyboards (5, 12, 14, 24)

Michael Lepore - Piano (2, 5, 10, 11, 14, 17, 18, 21, 22, 24-26, 28, 30), Guitar (1-4, 6, 7, 9-11, 13, 15-21, 23, 25-27, 29, 30), Bass (1-6, 9, 11-14, 16-18, 20, 22-26, 28-30), Drums/Percussion (4, 5, 7, 9, 11, 13, 15, 16, 18, 25, 26, 28-30), Keyboards (2-6, 10, 12, 13, 17, 19-21, 23-26, 28-30), Vocals (3, 8, 10, 11, 15, 25), Harmonica (6, 25), Banjo (15)

Angie Meller - Vocals (1, 4, 6, 11, 13, 20, 23, 24, 28)

Dimitria Vrosgou - Cello (2, 5, 11, 14, 19)

John Vito - Trumpet (6, 19, 20, 26, 28)

Ava Grace - Violin (2, 5, 11)

Michael LaRoca - Drums (6, 26)

Henry Raber - Bass (7)

Mae Roney - Fiddle (15)

Matt Sapienza - Accordion (21)

Samantha Tullie - Vocals (6, 17)

Jovian Ford - Vocals (8)

Jack Colquitt - Vocals (20)

Blaise Dahl - Vocals (18)

Emily Marczak - Vocals (12)

Anna Rudegeair - Vocals (5)

Brandon Dubuisson - Vocals (20)

Carly Kerr - Vocals (6, 25)

Heidi Gleichauf - Vocals (25)

Lotti & Chris Drummond - Vocals (4)

license

all rights reserved

tags

about

Teddy Grey New York, New York

Teddy Grey is a New York-based singer/songwriter. Past projects include double concept album "The Great Failed Romances of the Twentieth Century", mixtape "Rock N Roll McDonalds", and the cult independent movie "Garfeld: The Musical (A Garfield Parody)". More classics are on their way. Not rushing em this time. ... more

contact / help

Contact Teddy Grey

Streaming and
Download help

Redeem code

Report this album or account

If you like Teddy Grey, you may also like: